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Pragmatic Obots Unite

Pragmatic Obots Unite

Shooting down firebaggers & teabaggers one truth at a time...

Friday Open Thread- African-American Cowboys

January 6, 2012 by pragobots 91 Comments

 

John Ware (1845– 1905) was an African-American and later African-Canadian cowboy, best remembered for his ability to ride and train horses and for bringing the first cattle to southern Alberta in 1882, helping to create that province’s important ranching industry.

Ware was born into slavery in South Carolina. After the American Civil War he left the Carolinas for Texas where he learned the skills of a rancher and became a cowboy.Ware’s great stature and dedication to hard work made him a natural and allowed him to work his way up to Canada driving cattle from Texas up to Montana and then up into the great plains that would eventually become Alberta. Upon his arrival in Calgary he found work at the Bar-U and Quorn ranches  before starting his own ranch near the Red Deer river. By 1900, he and his wife, Mildred, had five children.  He moved from the Calgary area to a spot northeast of the village of Duchess, Alberta. In 1902 his first home was destroyed by the spring flood. He rebuilt on higher ground overlooking a stream, now called Ware Creek. Three years later Mildred died of pneumonia in the spring; despite being a master horseman John was killed in the fall when his horse tripped in a badger hole crushing its rider and breaking his neck. Ware’s funeral was reported to be one of the largest held in the early days of Calgary.

Like any folk hero there are a wide range of tales about his ability to eat, ride, shoot, and contribute to Western culture. It is said that he was never tossed from a wild horse and that he popularized steer wrestling which would then become a highlight of the Calgary stampede. The Blackfoot First Nations people reportedly called him “Matoxy Sex Apee Quin” (bad black white man) because of his courage and enormous strength, and wondered if he had connections to the spirit world. The story of John Ware is that of a remarkable figure in history who helped to lay the foundations of the ranching industry in western Canada and at the same time defying stereotypes. Born a slave Ware worked his way to being one of the most well respected figures in frontier Alberta crossing race lines thanks to his good nature and hard work. He is the subject of a biography, John Ware’s Cow Country by J. W. Grant MacEwan. Several geographical features near the Wares’ ranch are named in their honor:

John Ware
Ridge Mount Ware
Ware Creek

Other namesakes include ‘John Ware Junior High School’ in southwest Calgary, the John Ware building at Calgary’s SAIT Polytechnic, a polytechnic undergraduate college, and the John Ware 4-H Beef Club in Duchess, Alberta. In 1958 the modest log cabin that was the family home from 1900-1905 was relocated from its prairie setting near Millicent, Alberta to the Red Deer River valley in Dinosaur Provincial Park, about 20 km to the east. The cabin was restored and re-dedicated in 2002.

None of John and Mildred’s five children who lived to adulthood had descendants. Their last surviving daughter, Nettie, died on her ninety-sixth birthday in March 1989 in Vulcan, Alberta. Their last son, Arthur, died in Burnaby, British Columbia in May 1989. However relatives of Mildred Ware still reside in New Jersey and British Columbia.

***Information Courtesy of Wikipedia.org***

Filed Under: African Americans Tagged With: African-American Cowboys, African-Canadian Cowboys, Friday Open Thread, Our History

Friday Open Thread: African-American Shoe Designers

October 28, 2011 by Miranda 0 Comments

Happy Friday Obots!
*secret handshake*

Today’s featured designers: Shane & Shawn Ward

Many twins spend a lifetime trying to foster an identity separate from their siblings. That may never have been the goal for Shane and Shawn Ward, but as one spent his days designing for Adidas, and the other traded stocks on Wall Street, it would have been an easy inference to make.  Today their attitude toward independence is best represented by the name of their company, Shane&Shawn.;  Crafting shoes for men and women using materials and principles that mimic the shock absorption and support that make sneakers so comfortable, their designs have won over the likes of Diddy, Jamie Foxx and the Black Eyed Peas.  When the recession descended their business suffered a swift drop in sales.  Rather than give up they got lean.  Scaling back staff, outsourcing manufacturing and closing their Manhattan boutique has allowed the brothers to focus on online sales and thereby keep their feet the market.

 

Filed Under: Arts and Culture Tagged With: African-American Shoe Designers, Friday Open Thread, Shane and Shawn, Video

Friday Open Thread: African-American Photographers

September 2, 2011 by Miranda 0 Comments

Ya made it to Friday Obots! And its a 3-day weekend to boot! Woo-hoooo!

Today’s featured photographer: Roy DeCarava

Roy DeCarava was born in New York City in 1919 in the Harlem district to a single mother who was an immigrant from Jamaia. As a child he drew avidly, using the sidewalks as canvases for his chalk drawing of cowboys and Indians.
When he left school he worked as an artist for the Works Progress Administration creating posters during the day and studying painting and lithography by night, although he was eventually forced to quit his studies due to prejudice and he went instead to the Harlem Art Center.
photographs by roy decarava

Above: Cover Image of Photographs by Roy DeCarava
He started using photography around 1946 as reference material for his paintings but became more and more involved with it as a means of expression in its own right and a way to capture images with an immediacy that painting could not provide. Most of his photographs were of the people and places he roamed through at night as during the day he was employed full-time.
His first of 25 solo exhibitions was in a Manhattan gallery attended by Edward Steichen who was then curator of photography at the Museum of Modern Art. Steichen bought two of De Carava’s prints and persuaded him to apply for a Guggenheim fellowship which he was awarded in 1952, the first black artist ever to be awarded a Guggenheim.

photographs by roy decarava the sweet flypaper of life cover
By 1955 Roy DeCarava was firmly established as a photographer and worked with the poet Langston Hughes on The Sweet Flypaper of Life , the story of a black woman’s life in Harlem which includes more than 140 of DeCarava’s images.
Other major achievements include:

  • Opening of Photographers Gallery in New York in the mid-1950s
  • Co-founded the Komoinge Workshop for Black Photographers in 1963
  • Began teaching photography in 1969 at Cooper Union in New York
  • Became associate professor at Hunter College in 1975
  • Became professor of art at Hunter College in 1978
  • Has received received honorary degrees from Rhode Island School of Design, the Maryland Institute of Art, Wesleyan University, The New School for Social Research, The Parsons School of Design and the Art Institute of Boston
  • Works by Roy DeCarava have appeared in leading magazines such as Time, Newsweek, Life and Look
  • Worked as a contract photographer for Sports Illustrated from 1968 to 1975
  • He has published several collections of his photographs including the most recent The Sounds I Saw: Improvisation on a Jazz Theme in 2001, images of Harlem nightlife from the 50s and 60s including photographs of celebrities such as Billie Holiday and John Coltrane

The Sound I Saw is a photographic portrait of the world of jazz music. Presented as a stream of 196 images interspersed with DeCarava’s own poetry, this volume is, in its form and overall effect, a printed equivalent of jazz, composed of overlapping passages of pain, sweetness, optimism and suffering.
photographs by roy decarava Roy DeCarava has documented the people, both famous and anonymous, and the seemingly mundane yet intimate moments of his Harlem neighbours and neighbourhood. The result is at once a work for photography enthusiasts, an historic documentation for jazz lovers, and a profound message to African-Americans as well as Whites that artistic talent knows no boundaries of race.
Photographed 30 years ago and not published until 2003, The Sound I Saw is a saunter through a poignant period of New York musical history and life experience.
Vacant lots and sweaty musicians dot a cultural landscape that looks as if it’s going to burst at the seams. The beautiful black-and-white images simultaneously capture hard and luscious life in the city. Lonely figures abound, on park benches, street corners, stages, and subways.
The music appears and strives to make intense connections with the surrounding world. A delirious trumpet player works so hard you can almost feel him move the camera. This beautiful coffee-table size book has one striking picture after another, each capturing heartfelt experiences of life in the great city. From jam sessions to candy stores, the streets of New York appear choreographed to reveal the depths of the human spirit.

The final word goes to his wife, Sherry Turner DeCarava, who said: “Roy photographed for himself, and ultimately produced a body of work that enshrined the social contradictions of the 50s, the explosion of improvisational jazz music in the 60s, the struggle for social equity, the bold faced stridency of the 70s and 80s, only to turn to even more contemplative and serene realities during the later years of his life. Powerful and serene, his approach to the medium heralded a new, artistically and emotionally driven context for creative photography. His contribution to American photography and culture is manifold.”

Filed Under: Arts and Culture, Open Thread Tagged With: African-American Photographers, Open Thread, Roy DeCarava, Video

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