Welcome to the Weekend Baby BAY-BEH!!
Hick-Hop?!? Yes…….Hick-Hop
Some call the unusual blend of rural and urban music hillbilly hip-hop. Others call it hick-hop.
The collaboration of banjos, fiddles and drums set to a beat that would leave a rapper out of breath was created to reach inmates from big cities who are in rural Appalachian prisons.
It began when prisoners from urban jails were moved to new “supermax” facilities in rural Appalachia. The racial tension between white corrections officers and black inmates could be felt throughout the community.
Amelia Kirby and Nick Szuberla of the Appalshop arts center in Whitesburg, Ky., were looking for a way to ease that tension and find common ground between the cultures. They came up with the idea to combine mountain music with hip-hop. The result is being called “hick-hop” or “hill-hop,” a compelling mix of uniquely American — and disparate — musical genres.
Szuberla, director of an eastern Kentucky radio show that caters to those inmates, brought bluegrass and hip-hop musicians together in Whitesburg in April 2002 for a live performance on WMMT-FM. Dirk Powell, a banjo picker from Oberlin, Ohio, and Danja Mowf, a hip-hop artist from Richmond, Va., created music that lends itself to both clogging and break dancing.
“This is the first instance I know of where traditional mountain musicians and hip-hop artists joined forces,” said Rich Kirby, head of June Appal Recordings in Whitesburg. “Both musics have deep roots in tradition, and if you go back far enough you will find the same roots.”
The mix of genres is meant to show that urban and rural cultures need not clash, said Szuberla, whose hip-hop program “From the Holler to the Hood” airs weekly.
That message is important in central Appalachia, he said, where urban and rural cultures meet daily in prison.
“In the past 10 years, prisons have been popping up in rural communities across Appalachia,” he said. “You have inmates from urban areas in the Northeast being shipped 15 hours away from home to these rural communities. What has happened is a cultural clash.”
For many inmates from cities, even listening to the radio has changed: Country music rules the airwaves in central Appalachia, allowing room only for the occasional rock or oldies stations.
Szuberla said his station tries to supplement bluegrass and traditional music with hip-hop, punk, heavy metal, jazz, R&B, reggae and, now, the odd new musical blend.
Appalshop, a media arts center in Whitesburg, is producing a TV documentary about the growth of prisons in Appalachia. The mixture of music will be used as a soundtrack. The radio station and June Appal Recordings also are part of Appalshop.
Appalshop has tried to preserve and present traditional mountain music as an important part of rural life in Appalachia. In the same way, Szuberla said, hip-hop has become an important part of life for many of the region’s inmates.
“This collaboration presents a chance to bring artists together who would normally not cross paths, while at the same time bridging communities often viewed in opposition,” he said.
Danja Mowf said the banjo and fiddle were simply not instruments he would have considered appropriate for hip-hop.
“I was actually apprehensive before I got here,” he said. “I really didn’t know what to expect.”
He said he decided to take part for the sake of the inmates.
“What they see all around them may be oppressive, but we can offer them something uplifting,” he said. “This is a statement as well. It shows how two things so different can work together.”
None of the musicians think they’ve created a new music genre. But they do plan to collaborate further.
“This is just the beginning,” Powell said.
Well, I can think of no other fitting song to end this week than the collaboration between Virginia native Timbaland and Georgia native Bubba Sparxxx!
UGLY!