Born on June 29, 1886, in Lenox, Massachusetts, James Van Der Zee developed a passion for photography as a youth, and opened up his own Harlem studio in 1916. Van Der Zee became known for his detailed imagery of African-American life, and for capturing celebrities such as Florence Mills and Adam Clayton Powell Jr.
The Harlem Renaissance was in full swing during the 1920s and ’30s, and for decades, Van Der Zee would photograph Harlemites of all backgrounds and occupations, though his work is particularly noted for its pioneering depiction of middle-class African-American life. He took thousands of pictures, mostly indoor portraits, and labeled each of his photos with a signature and date, which would prove to be important for future documentation.
Although Van Der Zee photographed many African-American celebrities—including Florence Mills, Hazel Scott and Adam Clayton Powell Jr.—most of his work was of the straightforward commercial studio variety: weddings and funerals (including pictures of the dead for grieving families), family groups, teams, lodges, clubs, and people simply wanting to have a record of themselves in fine clothes. He often supplied props or costumes and took time to carefully pose his subjects, giving the picture an accessible narrative.
With the advent of personal cameras in the middle of the century, the desire for Van Der Zee’s services dwindled; he procured less and less commissions, though he maintained an alternative business in image restoration and mail order sales. He and his wife were of very limited means when, in 1969, the Metropolitan Museum of Art mounted an exhibition featuring Van Der Zee, Harlem on My Mind, bringing the photographer and his work renewed attention.
Nonetheless, Van Der Zee and his wife still faced financial difficulties; after they were evicted from their Harlem residence, they relocated to the Bronx. Greenlee died in 1976, and Van Der Zee was reported to be living in squalor and poor health. Art gallery director Donna Mussenden took up his cause, starting to structure his home space and organize public appearances, and the two married in 1978. Revitalized, Van Der Zee worked with a new wave of celebrity as an in-demand photographer; some of the luminaries he captured this go-around include Bill Cosby, Lou Rawls, Cicely Tyson and Jean Michael Basquiat.
In 1981, Van Der Zee filed a suit to reclaim more than 50,000 images from the Studio Museum of Harlem, the rights to which he had signed away after his eviction. The case would be settled posthumously, with half of the work being returned to the photographer’s estate, and the remainder being retained by the museum and the James Van Der Zee Institute.
Van Der Zee received several accolades upon his return to the spotlight; among his honors, he became a permanent fellow of the Metropolitan Museum of Art and received a Living Legacy Award from President Jimmy Carter. After receiving an honorary doctorate from Howard University, Van Der Zee died of a heart attack at age 96, on May 15, 1983, in Washington, D.C. His work has continued to be celebrated for the past several years, with special exhibitions honoring his legacy.