Happy Long Weekend POU!
Magician Ran’D Shine: ‘I am very proud to be an African American magician’
There aren’t a lot of guys who can hide a coin in the palm of his hand, while simultaneously knowing the history of black magicians like the back of his hand.
Magician Ran’D Shine, who has appeared on the CW’s Penn and Teller: Fool Us and has performed in over 20 countries, is determined to share the stories of black magicians. Like Henry “Box” Brown, a pre-Houdini magician who was born a slave in Virginia and shipped himself to Philadelphia (and freedom) in a crate. “I am very proud to be an African American magician,” Shine said.
How did you get into magic?
During graduate school at Penn State, students in the student union were showing me some card tricks. It immediately sparked my interest. Shortly after, I was conducting post graduate research, after receiving my Masters Degree, at the University of the Western Cape, in CapeTown South Africa. I then returned to Drexel, where I was working toward my Ph.D in public health, and told [my adviser] that I had another passion, which was magic. She told me to give it some time, but I never gave it a second thought. There was no doubt in my mind, that I wanted to pursue magic as a full-time career.
Can you tell us a little about the International Association of Black Magical artists?
I am the cofounder and past president. The reason why we formed it was because a lot of black magicians in the world were rarely heard from. It is a great way to communicate with each other. Did you know that the first American-born magician was an African American illusionist named Richard Potter, who was born in New England? Not only was he the first American-born magician, but he was also a successful ventriloquist. Last year, a book about him was written, which is entitled Richard Potter: America’s First Black Celebrity.
Do you have any inspirations?
I have no idols, just people who inspire me. The majority of them are not known like Kevin Bethea from Jersey, who toured the world performing. He’s such a deep thinker when it comes to magic, and that inspires me. It is cool to have him in close proximity — him being in Jersey, and me being from Philadelphia. Another inspiration of mine is Hiawatha Johnson Jr., who is a great sleight-of-hand magician from Virginia. He was the first African American magician I had ever heard of. I saw him on the cover of Genii Magazine, a trade magazine for magicians, and got inspired because I saw a magician who looked like me. We met at the Theory of Art of Magic Conference in 1999 and are good friends to this day.
Can you talk about what it’s like being one of a few black magicians?
I feel like that is a misstatement, because we are not given a platform, we are creating our own platform with organizations like IABMA. Some [other black magicians] are local and international, like Michael Vincent from the U.K., who has won multiple awards doing close-up [magic]. It feels good to be a magician of color, but it’s more [about] being a person of color that does other things besides singing and dancing. … I am proud to be one of those. We as black magicians, people, and actors even, have to break that glass ceiling. Instead of being marginalized, we have to let people know that we are out there.