It’s everybody’s favorite Laker Girl week! Both her choreography and the best of her songs will be featured!
Abdul was discovered by The Jacksons, after the brothers, who were season ticket holders, came to a Lakers game and noted the dance routines. They approached the front office and asked, “Who does choreography for the Laker girls?” She was signed to do the choreography for the video to their single “Torture“. “My only problem was how to tell the Jacksons how to dance,” Abdul later recalled. “Imagine me telling them what routines to do. I was young, I was scared. I’m not quite sure how I got through that.” The success of the choreography in the video led to Abdul’s career of choreographer in music videos. It was also due to the success of the video that Abdul was chosen to be the choreographer for the Jacksons’ Victory tour.
Did you know PAULA ABDUL CHOREOGRAPHED THE DANCE SCENE AT THE PALACE IN ZAMUNDA?
In an interview with Rolling Stone, Paula listed the classic Coming to America scene as one of the top moments of her choreography career.
“This was one of my moments of having to really prove myself, because I was still pretty new in my career as a choreographer. John Landis, the director, wanted the person that choreographed Janet Jackson. I was still a Laker Girl. I went in and he looked at me and said, ‘What are you, a teenager?’ And I said, ‘Yes, I am!’ He basically was telling me, ‘What do you know about African dancing?’ And this is my whole thing when becoming a choreographer: ‘I’ll just tell everyone yes, I know exactly what I’m doing, and then I’ll figure it out later.’ That’s basically what I did. I said, ‘I know a lot!’ And he goes, ‘Hmm, I don’t think so, because I was expecting someone like Debbie Allen to come in.’ And I said, ‘I may be young, but I know what I’m doing.’ So he left me alone.
“When you think about it, back then we didn’t have the Internet, so there was no research you could really do, other than going to the library. I created my own style of what I thought should be right for the movie, and John Landis loved it. I worked with Nile Rodgers on the music and we came up with a drum loop. There were lots of intensive rehearsals, and it was hardcore; it was a lot of work. It was not an easy thing to accomplish, but it’s one of the things I’m most proud of.”
Janet Jackson and Paula Abdul rare rehearsal footage 1986